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Kabbalah in a Literary Key

Mystical Motifs in Zechariah Aldāhirī's Sefer hamusar

Bibliographic Data

ID20408928
AuthorsAdena Tanenbaum (1The Ohio State University, corresponding author)
Year2009
Volume17
Issue1
Pages47-99
Publication date2009-01-01
Open AccessNo
TypeARTICLE
VenueJournal of Jewish Thought and Philosophy (JOURNAL)
Journal identifiersISSN: 1053-699X • E-ISSN: 1477-285X
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1163/147728509x448984
OpenAlexW2023303256
LanguageEN

Zechariah Aldāhirī's maqāma collection, Sefer hamusar (Yemen, c. 1580), is a literary work modeled on the Arabic Maqāmāt of al-Harīrī and the Hebrew Tahkemoni of Alharizi. Although largely fictional in nature, the work offers intriguing evidence of the transmission of kabbalistic thought to Yemen in the sixteenth century. This paper argues that Aldāhirī exploited the text's lighthearted belletristic framework to bring kabbalistic theosophy, literature, and liturgical customs to the attention of a largely uninitiated public in Yemen. But Aldāhirī also conveys an ambivalence towards his project when he parodies the new taste for kabbalistic learning by embedding mystical ideas in complex narratives

Ambivalence · Arabic · Art · Kabbalah · Linguistics · Literature · Mysticism · Narrative · Psychoanalysis · Theosophy · Archaeology and Historical Studies · Global Maritime and Colonial Histories · Islamic Studies and History · Medicine · Philosophy · Psychology

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