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Creating High and Low Art

Experimentation and Commercialization at Fringe Festivals

Bibliographic Data

ID20414802
AuthorsElspeth A Frew, Elspeth Frew (0000-0002-8231-7401), Jane Ali-Knight, Jane Ali‐Knight (0000-0001-8907-7618)
Year2010
Volume10
Issue3
Pages231-245
Publication date2010-12-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTourism Culture & Communication (JOURNAL)
Journal identifiersISSN: 1098-304X • E-ISSN: 1943-4146
PublisherCognizant, LLC (PUBLISHER)
DOI10.3727/109830410x12910355180982
OpenAlexW2085457413
LanguageEN
Citations received2
References cited14

Fringe festivals make an important contribution to the creative industries by providing artistic output and experiences. Fringe festivals are open access noncurated multi-art festivals where artist choose to present their work. The article considers the phenomenon of fringe festivals in the context of creative industries and, in particular discusses the issue of commercialization at two such festivals, namely the Edinburgh Festival Fringe and the Adelaide Fringe Festival. Both fringe festival organizations have been criticized as staging festivals that have become overly commercial and less experimental. The study found that this criticism has occurred because venues and promoters, particularly in relation to comedy shows, aggressively market the artists they support. However, both fringe festivals have maintained their original philosophy of open access to allow all artists and a range of art forms to be staged. A new definition of a fringe festival is provided, and future areas of research are identified

Advertising · Art · Business · Comedy · Commercialization · Creative industries · Criticism · Literature · Phenomenon · Sociology · Visual arts · Cultural Industries and Urban Development · History · Sport and Mega-Event Impacts · Sports, Gender, and Society · Marketing

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Unique citing works2
Citations per year0,15
Citation span2013 - 2025 (13)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 2

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