Shakespeare in Parts

Bibliographic Data

ID20420072
AuthorsSimon Palfrey, Tiffany Stern
Year2007
Pages416
Publication date2007-01-01
Open AccessNo
TypeBOOK
VenueShakespeare in Parts (SOURCE_BOOK)
PublisherOxford University Press, USA (PUBLISHER)
DOI10.1093/acprof:oso/9780199272051.001.0001
OpenAlexW1583931449
ISBN9780199272051
Open LibraryOL10146371M
LanguageEN
Citations received15

INTRODUCTION I: HISTORY 1. The Actor's Part 2. The Actors 3. Rehearsing and Performing II: INTERPRETING CUES 4. History of the Cue 5. Interpreting Shakespeare's Cues 6. Cues and Characterisation 7. Waiting and Suddenness: the Part in Time 8. Repeated Cues 9. Repeated cues: from Crowds to Clowns 10. Repeated cues: comi-tragic/tragic-comic pathos 11. Repeated cues and the battle for the cue-space: The Merchant of Venice 12. Repeated cues and tragedy 13. Repeated cues and the cue-space in King Lear 14. Repeated cues and post-tragic effects 15. Repeated Cues and the Cue-Space in The Tempest III: THE ACTOR WITH HIS PART 16. History 17. Dramatic prosody 18. Prosodic Switches: From Actor's Prompt to Absent Presence 19. Midline shifts in 'mature' Shakespeare: from actorly instruction to 'virtual' presence 20. Case studies: six romantic heroines and three lonely men

Acting · Art · Battle · Characterization · Cognitive psychology · Comics · King Lear · Linguistics · Literature · performance history · romantic heroine · Shakespeare · Space (punctuation) · The Merchant of Venice · The Tempest · Tragedy (event) · tragic hero · History · Philosophy · Psychology · Renaissance Literature and Culture · Shakespeare, Adaptation, and Literary Criticism · Theatre and Performance Studies · 1564-1616 · 17th century · Criticism · Criticism and interpretation · Drama · Dramatic production · Early modern and Elizabethan, 1500-1600 · England · English drama · Great britain · History and criticism · Literary Criticism · Literary studies: 16th to 18th centuries · Literature - Classics · Production and direction · Shakespeare studies & criticism · Shakespeare, william · Shakespeare, william, criticism and interpretation · Technique · Theater · Theater, history · Theatre, drama · Theory · William Shakespeare (1564-1616)