VI.— Pictor in Carmine
Bibliographic Data
| ID | 20456594 |
|---|---|
| Authors | M R James (0000-0003-2821-0133, corresponding author) |
| Year | 1951 |
| Volume | 94 |
| Pages | 141-166 |
| Publication date | 1951-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Archaeologia (JOURNAL) |
| Journal identifiers | ISSN: 0261-3409 • E-ISSN: 2051-3186 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0261340900007244 |
| OpenAlex | W1971744681 |
| Language | EN |
| Citations received | 9 |
The treatise called Pictor in Carmine is notable as containing the largest known collection of types and antitypes intended to be used by artists. I have often called attention to it, and for many years have been on the look-out for its occurrence in manuscripts, in the hope that I might ultimately be able to produce an edition of the whole text. Whether that may yet see the light I do not know; it is a work of considerable bulk, and perhaps hardly merits a great expenditure of time and print, but comparatively few pages will suffice to give a conspectus of the contents and character of the book
Art · Literature · History · Mathematics · Renaissance and Early Modern Studies
Image, Text, and Religious Reform in Fifteenth-Century England
The Merchant of Venice , Jews, and Christians
The sex werkdays and agis
The Middle English Iacob and Iosep and the Medieval Popular Bible
Wonder, Magic and the Fantastical Margins
The New Cambridge History of the Bible
Macro/Microcosm at Vézelay
The Ages of the World and the Ages of Man
Wall paintings through the ages
| Citations per year | 0.24 |
|---|---|
| Citation span | 1988 - 2021 (34) |
| Highly cited | No |