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Images of Cities on the Nomismata of the Principality of Epiros from the First Half of the Thirteenth Century

Bibliographic Data

ID20466872
AuthorsС А Денисов (0000-0002-1080-223X, corresponding author)
Year2020
Volume48
Pages301-309
Publication date2020-01-01
Open AccessYes
TypeARTICLE
VenueАнтичная древность и средние века (JOURNAL)
Journal identifiersISSN: 0320-4472 • E-ISSN: 2687-0398
PublisherUral Federal University (PUBLISHER • RU)
DOI10.15826/adsv.2020.48.019
OpenAlexW3115938464
LanguageEN
References cited2

This paper has analysed the images of Arta and Thessalonike on eight types of billon nomismata minted in the Principality of Epirus in 1224–1248. These images were represented separately or included into the portraits of local rulers from the Doukai family: Theodore I (1215–1230), Manuel (1230–1237), John (1237–1244), and Michael II (1237–1267). There are two types of representation of the city on the coins. The first image followed the Byzantine iconographic tradition of the eleventh and twelfth century and appeared on the coins from 1224–1244. It comprises the scene showing the heavenly patron of the community (St. Demetrios) or archangel Michael giving a Doukas the model of Thessalonike. This scene underlined the religious legitimation of the ruler’s power over the local community and implied schematic presentation of the city as a model. To the second type occurring on the nomismata from 1237–1248 features the images of urban architectural elements (gates, walls, and towers) incorporated into the ruler’s portraits or shown separately on the reverse. These images also underlined the ruler’s relation with the local community; they are typical of more detailed execution of drawing of fortifications (blocks, embrasures, and flags). The second type images appeared on the coins under the influence from iconographic samples from the Holy Roman empire caused by the political alliance between the Doukai and Friedrich II Hohenstaufen (1212–1250). Using the representation of their power as the patrons of urban communities, the Doukai gained support for their policy from the local inhabitants and used it as a support for their power and struggle for the Byzantine heritage

Ancient history · Art · Art history · Byzantine architecture · Emperor · Empire · Legitimation · Politics · Portrait · Ruler · Byzantine Studies and History · Classics · Eurasian Exchange Networks · Historical and Religious Studies of Rome · History · Law

  • Corpus Inscriptionum Græcarum

    Open Access•AuG Boeckhius•Classical Journal•2013

  • Images of Authority

    Averil Cameron•Past & Present•1979

Highly citedNo

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