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Deconstructing the narrative, constructing a meaning

Why was the Alexiad written

Bibliographic Data

ID20477739
AuthorsLarisa Orlov Vilimonović (0000-0001-6936-9461, University of Belgrade, corresponding author), Larisa Vilimonovic (Faculty of Philosophy, Belgrade)
Year2015
Issue52
Pages207-235
Publication date2015-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueZbornik radova Vizantoloskog instituta (JOURNAL)
Journal identifiersISSN: 0584-9888 • E-ISSN: 2406-0917
PublisherNational Library of Serbia (PUBLISHER • RS)
DOI10.2298/zrvi1552207v
OpenAlexW2319952697
LanguageEN
References cited3

In the present article I offer a narratological approach to Byzantine historiography and an aim to elucidate the key elements of narrative theory that would be useful for investigating medieval Byzantine histories and their complex narrative structures. The focus is put on the key narratological aspects - genre, author, text and the audience - as those elements represent the core of literary criticism and contemporary studies of Byzantine literature. Through useful examples from the Alexiad, I intend to show how this theoretical vehicle functions and I hope to open a new field of scholarly communication on the matter of approach towards Byzantine historiography

Archaeology · Art · Byzantine architecture · Criticism · Epistemology · Historiography · Literature · Narrative · Narrative criticism · Narrative history · Byzantine Studies and History · Classical Antiquity Studies · Classics · Computer Science · Historical and Religious Studies of Rome · History · Philosophy

  • Narrative Discourse

    Gérard Genette•Narrative Discourse•1980

  • Semiotics and the Philosophy of Language

    Open Access•Umberto Eco•Semiotics and the Philosophy of…•1984

  • Writing and Difference

    Jacques Derrida, Alan S Bass et al.•Writing and Difference•1980

Citation velocityhistorical
Highly citedNo

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