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The Role of Mechanical Reproduction in (What Was Formerly Known as) the Record in the Age of Personal Fabrication

Bibliographic Data

ID20486110
AuthorsKazuhiro Jo (0000-0003-1626-3211, Kazuhiro Jo, Institute of Advanced Media and Sciences (IAMAS), 3-95, Ryoke-cho, Ogaki, Gifu, Japan, 503-0014.. Web: ., corresponding author)
Year2014
Volume24
Pages65-67
Publication date2014-12-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueLeonardo Music Journal (JOURNAL)
Journal identifiersISSN: 0961-1215 • E-ISSN: 1531-4812
PublisherMIT Press - Journals (PUBLISHER)
DOI10.1162/lmj_a_00206
OpenAlexW2077929002
LanguageEN
References cited2

The author examines the role of mechanical reproduction in (what was formerly known as) analog records in the age of personal fabrication with an example from his recent project cutting record. He investigates the creation of records without inputting sound sources by utilizing a production technique and a variety of materials, in conjunction with a discussion of a performance and workshop extracted from the project

Biology · Fabrication · Reproduction · Computer Science · Digital Humanities and Scholarship · Engineering · History · Medicine · Music and Audio Processing · Music Technology and Sound Studies · Artificial Intelligence · Ecology

  • Noise

    Jacques Attali•Noise•1989

  • Tones from out of Nowhere

    Thomas Y Levin•Grey Room•2003

Citation velocityhistorical
Highly citedNo

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