Notating Action-Based Music
Bibliographic Data
| ID | 20486191 |
|---|---|
| Authors | Juraj Kojs (Juraj Kojs (researcher, administrator), Foundation for Emerging Technologies and Arts (FETA), 2294 North West 2nd Avenue, Miami, FL 33127, U.S.A.., corresponding author) |
| Year | 2011 |
| Volume | 21 |
| Pages | 65-72 |
| Publication date | 2011-12-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo Music Journal (JOURNAL) |
| Journal identifiers | ISSN: 0961-1215 • E-ISSN: 1531-4812 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/lmj_a_00063 |
| OpenAlex | W2076994230 |
| Language | EN |
| Citations received | 2 |
| References cited | 13 |
The author discusses the notation of action-based music, in which physical gestures and their characteristics, such as shape, direction and speed (as opposed to psychoacoustic properties such as pitch, timbre and rhythm), play the dominant role in preserving and transferring information. Grounded in ecological perception and enactive cognition, the article shows how such an approach mediates a direct relationship between composition and performance, details some action-based music notation principles and offers practical examples. A discussion of tablature, graphic scores and text scores contextualizes the method historically
Aesthetics · Art · Cognitive science · Gesture · Human–computer interaction · Linguistics · Literature · Multimedia · Musical · Musical composition · Musical notation · Notation · Perception · Psychoacoustics · Rhythm · Timbre · Visual arts · Communication · Computer Science · Music and Audio Processing · Music Technology and Sound Studies · Neuroscience and Music Perception · Psychology · Artificial Intelligence
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Course in General Linguistics
Embodied Music Cognition and Mediation Technology
The Scratch Orchestra and Visual Arts
Action-dependent perceptual invariants
A Concise Dictionary of Middle Egyptian
What in the World Do We Hear
How Do We Hear in the World? Explorations in Ecological Acoustics
New Directions in Music
The Language of Action and Cyberaction-based Music
Material anchors for conceptual blends
The New Musical Notation
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,22 |
| Citation span | 2017 - 2022 (6) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |