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Making Sculptures Audible through Participatory Sound Design

Bibliographic Data

ID20486369
AuthorsFlorian Grond (0000-0001-9945-8318, Centre for Interdisciplinary Research in Music Media and Technology), Adriana Olmos (Adriana Olmos (interface designer), Pivotal Labs, 875 Howard St, Fifth Floor, San Francisco, CA 94103, U.S.A..), Jeremy R Cooperstock (0000-0002-3392-2541, Jeremy R. Cooperstock (engineer), Department of Electrical and Computer Engineering, 3480 University Street Montreal, QC H3A 0E9,.)
Year2013
Volume23
Pages12-13
Publication date2013-12-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueLeonardo Music Journal (JOURNAL)
Journal identifiersISSN: 0961-1215 • E-ISSN: 1531-4812
PublisherMIT Press - Journals (PUBLISHER)
DOI10.1162/lmj_a_00140
OpenAlexW2118129283
LanguageEN
References cited1

A research group explores rendering sculptural forms as sound using echolocation and the participation of members of the visually impaired community

Acoustics · Art · Citizen journalism · Human echolocation · Sculpture · Sound design · Visual arts · World Wide Web · Computer Science · Interactive and Immersive Displays · Multisensory perception and integration · Tactile and Sensory Interactions

Citation velocityhistorical
Highly citedNo

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Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae