Ta [P] Chas
References to Indigenous Traditions in Peruvian Electroacoustic Composition of the 1960s
Bibliographic Data
| ID | 20486475 |
|---|---|
| Authors | Renzo Filinich Orozco (Hospital Metropolitano, corresponding author), Renzo Filinich (0000-0003-1752-0232, Renzo Filinich Orozco (composer, researcher, educator), Faculty of Arts, University of Arts, Sciences and Communications, Av. Salvador 1200, Providencia, Región Metropolitana 7501277, Chile..) |
| Year | 2017 |
| Volume | 27 |
| Pages | 93-97 |
| Publication date | 2017-12-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo Music Journal (JOURNAL) |
| Journal identifiers | ISSN: 0961-1215 • E-ISSN: 1531-4812 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/lmj_a_01026 |
| OpenAlex | W2760354450 |
| Language | EN |
| References cited | 1 |
This article reviews the compositional practice of Peruvian electroacoustic music in the 1960s, to investigate the methods and sources of influence on music and new technologies of that time. It therefore explores local expressions and national and regional identities through elements of folk and traditional music used in these practices. The analysis of this repertoire, from a cross-cultural perspective, sheds new light on the history and originality of experimental art and music in Peru, as well as on Peruvian ethnomusicology
Art · Electroacoustic music · Ethnomusicology · Folk music · Indigenous · Literature · Music education · Musical · Musical composition · Originality · Repertoire · Sociology · Visual arts · Anthropology · Diverse Musicological Studies · History · Music History and Culture · Musicology and Musical Analysis
| Highly cited | No |
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