Notation by Context
Digital Scenography as Artifact of Authorial Intent
Bibliographic Data
| ID | 20486557 |
|---|---|
| Authors | Caitlin Vincent (0000-0003-2697-7306, Deakin University, corresponding author), Jordan Beth Vincent (0000-0001-9032-433X, Deakin University, corresponding author) |
| Year | 2018 |
| Volume | 28 |
| Pages | 72-76 |
| Publication date | 2018-12-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo Music Journal (JOURNAL) |
| Journal identifiers | ISSN: 0961-1215 • E-ISSN: 1531-4812 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/lmj_a_01044 |
| OpenAlex | W2891859192 |
| Language | EN |
| Citations received | 1 |
| References cited | 2 |
Digital technology can be used as a scenographic tool to project visual settings in the theatrical space. However, digital scenography that incorporates “faux-interactivity,” or the illusion of a causal relationship between live performers and digital elements, can also serve as a form of notation that digitally preserves the physical movement of live performers through scenographic context. This paper explores the potential for faux-interactive scenography as a method of spatial notation through which scenographic environments might contribute to understandings of authorial intent in a traditionally ephemeral space
Art · Human–computer interaction · Interactivity · Linguistics · Multimedia · Notation · Scenography · Visual arts · Cinema and Media Studies · Computer Science · History · Philosophy · Shakespeare, Adaptation, and Literary Criticism · Theatre and Performance Studies · Artificial Intelligence
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,14 |
| Citation span | 2019 - 2019 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |