Skirmish at the Oasis
On Sonic Disobedience
Datos Bibliográficos
| ID | 20486568 |
|---|---|
| Autores | Michael Nardone (Michael Nardone (writer), 5632 Avenue de l’Esplanade, Montreal, Quebec H2T 3A1, Canada.. Web: ., autor de correspondencia) |
| Año | 2016 |
| Volumen | 26 |
| Páginas | 92-96 |
| Fecha de publicación | 2016-12-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Leonardo Music Journal (JOURNAL) |
| Identificadores de la revista | ISSN: 0961-1215 • E-ISSN: 1531-4812 |
| Editorial | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/lmj_a_00983 |
| OpenAlex | W2521570275 |
| Idioma | EN |
| Referencias citadas | 6 |
In this article the author theorizes how the idea of a sonic avant-garde resounds today. Focused on technics of noise and site specificity, the author describes the sounds and sites of the Idle No More round dance interventions of the winter of 2012–2013 and hears these protests via the dissonant transmission of the sonic practices and geographical-racial theories of the historical avant-garde
Acoustics · Aesthetics · Art · Consonance and dissonance · Dance · Visual arts · Diverse Musicological Studies · Diversity and Impact of Dance · History · Music History and Culture
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |