Infrasonic Music
Bibliographic Data
| ID | 20486646 |
|---|---|
| Authors | Cat Hope (0000-0001-9999-7194, corresponding author) |
| Year | 2009 |
| Volume | 19 |
| Pages | 51-56 |
| Publication date | 2009-12-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo Music Journal (JOURNAL) |
| Journal identifiers | ISSN: 0961-1215 • E-ISSN: 1531-4812 |
| Publisher | MIT Press (PUBLISHER • US) |
| DOI | 10.1162/lmj.2009.19.51 |
| OpenAlex | W4233224752 |
| Language | EN |
| Citations received | 1 |
| References cited | 1 |
Low-frequency sound on the cusp of the audible offers the possibility of redefining the way we think about listening to music. As the perception of pitch is lost in very low-frequency sound emissions, an opportunity arises for a different kind of music and a different way of listening. Low frequencies can be engaged to activate responses other than the aural or be used as a kind of “silent activator,” enabling or affecting other sounds. This article explores the possibilities for what may be called an “infrasonic music.”
Acoustics · Active listening · Infrasound · Music Perception · Perception · Physics · Speech recognition · Communication · Computer Science · Music Technology and Sound Studies · Psychology
| Citations per year | 0.11 |
|---|---|
| Citation span | 2017 - 2017 (1) |
| Highly cited | No |