From Ear to Site
On Discreet Sound
Bibliographic Data
| ID | 20486816 |
|---|---|
| Authors | Daniele Balit (Daniele Balit (curator, art historian), 45, Rue de Belleville, Paris, France.., corresponding author) |
| Year | 2013 |
| Volume | 23 |
| Pages | 59-63 |
| Publication date | 2013-12-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo Music Journal (JOURNAL) |
| Journal identifiers | ISSN: 0961-1215 • E-ISSN: 1531-4812 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/lmj_a_00156 |
| OpenAlex | W1964050965 |
| Language | EN |
| Citations received | 1 |
| References cited | 3 |
The notion of discreet sound arises through the encounter of the sonic avant-garde with the post-studio methods of the field of sculpture: a distinctive, situational aesthetics that aspires to relocate, and sometimes to disperse, the listening experience within the varied spaces of everyday life. In sound art, however, there seems a predominant interest in the sounding object as an experience delivered to the audience through indoor modalities. By comparing these two tendencies, this article observes some of the implications for the ways in which we think about the site and modes specific to listening practices
Acoustics · Active listening · Aesthetics · Art · Depth sounding · Epistemology · Everyday life · Geography · Modalities · Sculpture · Sociology · Sound art · Studio · Visual arts · Communication · Computer Science · Music Technology and Sound Studies · Philosophy · Visual Culture and Art Theory · Artificial Intelligence
| Citations per year | 0.33 |
|---|---|
| Citation span | 2023 - 2023 (1) |
| Highly cited | No |