The Electroacoustic Music Studio of Yekaterinburg
Bibliographic Data
| ID | 20486820 |
|---|---|
| Authors | Tatiana Komarova (0009-0005-5711-4548, corresponding author) |
| Year | 1996 |
| Volume | 6 |
| Pages | 64 |
| Publication date | 1996-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo Music Journal (JOURNAL) |
| Journal identifiers | ISSN: 0961-1215 • E-ISSN: 1531-4812 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/1513312 |
| OpenAlex | W2326706508 |
| Language | EN |
conception of electroacoustic music as a concert genre has been presented with great success at the Electronic Music Festival (1992, Yekaterinburg) and the International Demidov Assembly (1992). Members of the studio are also working on educational courses for composition faculty in a complex field of subjects involving the potentials for electronic equipment and its use in composition practice. In recognition of the progress made in this field, the Ural State Conservatory obtained the right to institute a new degree program that qualifies graduates as Composers of Electronic Music. In 1994, Vladimir Volkov was the first to graduate with this qualification. Compositions created at the studio have been successfully performed at electronic music concerts in the United
Art · Electroacoustic music · Studio · Visual arts · Music Technology and Sound Studies
| Highly cited | No |
|---|