Yogyakarta Gamelan Festival 1997
Bibliographic Data
| ID | 20486871 |
|---|---|
| Authors | Jody Diamond (corresponding author) |
| Year | 1997 |
| Volume | 7 |
| Pages | 92 |
| Publication date | 1997-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo Music Journal (JOURNAL) |
| Journal identifiers | ISSN: 0961-1215 • E-ISSN: 1531-4812 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/1513251 |
| OpenAlex | W2331428827 |
| Language | EN |
is a spirit, not an object, says Sapto Raharjo, instruments are just the medium. His definition of gamelan is a significant extension of the usual gong-chime orchestra that originates in the Indonesian islands of Java and Bali. As the director of the Yogyakarta Gamelan Festival, Sapto has made quite an impact on the definition of gamelan, both in Indonesia and abroad. He envisions a world of
Art · Visual arts · Computer Science · Cultural and Artistic Studies · Diverse Musicological Studies · Musicology and Musical Analysis
| Highly cited | No |
|---|