Exploring the Self Through Algorithmic Composition
Bibliographic Data
| ID | 20486930 |
|---|---|
| Authors | Roger Alsop (0000-0002-7654-6486, 14 Perry St., Fairfield, 3078 Victoria, Australia, corresponding author) |
| Year | 1999 |
| Volume | 9 |
| Pages | 89-94 |
| Publication date | 1999-12-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo Music Journal (JOURNAL) |
| Journal identifiers | ISSN: 0961-1215 • E-ISSN: 1531-4812 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/096112199750316866 |
| OpenAlex | W2009940842 |
| Language | EN |
| References cited | 2 |
The author discusses his views on musical composition in the late twentieth century, focusing on the influence that communication and computer technology have had over his pursuit. He goes on to describe his use of computer-based algorithmic composition and how this particular approach enhances and refines his understanding of his own musical self-expression. He describes four computer algorithms, used in recent compositions and improvisations, that reflect his particular musical interests
Art · Computer music · Human–computer interaction · Literature · Multimedia · Musical · Musical composition · Visual arts · Art, Technology, and Culture · Computer Science · Music and Audio Processing · Music Technology and Sound Studies
| Highly cited | No |
|---|