Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Confusion, control and comfort

Premediating identity management in film and television

Bibliographic Data

ID20508240
AuthorsGeorgina Turner (Loughborough University, corresponding author), Liesbet Van Zoonen (0000-0002-6892-1645, Loughborough University), Jasmine Harvey (0000-0001-5357-1817, University of Warwick)
Year2014
Volume17
Issue8
Pages986-1000
Publication date2014-09-14
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueInformation Communication & Society (JOURNAL)
Journal identifiersISSN: 1369-118X • E-ISSN: 1468-4462
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/1369118x.2013.870592
OpenAlexW2023576832
LanguageEN
Citations received1
References cited24

A number of national and international agencies have pointed to identity management (IM) as one of the main private and public challenges of the future. The issue is subject to intense public controversy and contestation, especially with respect to access to, usage and ownership of personal data. Most work about IM assumes users to be rational actors making instrumental choices on the basis of perceived usefulness and efficiency; cultural narratives hardly ever come up in current research about acceptance of new identity management technologies (IMTs). Screen representations do not prescribe certain meanings around IM, but create and delineate horizons of imagination; repositories of meanings from which people can draw to make sense of innovations and their consequences. In this paper, we focus on a sample of films, television and web series to examine how IMTs are premediated. Our analysis suggests that a whole range of future IM (knowledge- and token-based, as well as biometric/implant) technologies is imagined here, with biometric and implant technologies most likely to be taken to (dystopian) extremes. Stories of identity theft and confusion, surveillance and control, comfort and corruption construct them as potentially problematic and always under threat, as well as calling up existential concerns about what it means to be human. We conclude that these dark horizons are anchored in myth and persistent fears about who we are, and thus that new means of IM face a difficult task in gaining users' trust

Access control · Aesthetics · Computer security · Identity management · Internet privacy · Narrative · Political science · Public relations · Sociology · Computer Science · Digital Media and Philosophy · Nostalgia and Consumer Behavior · Privacy, Security, and Data Protection · Psychology

  • Implementing scalable digital healthcare solutions in England

    Jasmine Harvey•Information Communication & Society•2016

  • Narration in the Fiction Film

    David Bordwell•Narration in the Fiction Film•2015

  • Surveillance on Screen

    Sébastien Lefait•Surveillance on screen•2012

  • Disguise and recognition in the Odyssey

    Sheila Murnaghan•Disguise and recognition in the…•1987

  • Énigmes et complots

    Luc Boltanski•Enigmes et complots : Une enquête…•2012

  • Imaginative Horizons

    Vincent Crapanzano•Imaginative Horizons•2003

  • Extrapolating Race in Gattaca

    David A Kirby•Literature and medicine•2004

  • Video Surveillance in Hollywood Movies

    Open Access•Dietmar Kammerer•Surveillance & Society•2002

  • Beyond Risk

    Open Access•Marieke De Goede•Security Dialogue•2008

  • Possessions and the Extended Self

    Russell William Belk•Journal of Consumer Research•1988

  • Extended Self in a Digital World

    Russell William Belk•Journal of Consumer Research•2013

Unique citing works1
Citations per year0,1
Citation span2016 - 2016 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

Tools

Open DOISci-HubOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae