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Johann Gottlieb Fichte, and the Trap of Inhalt (Content) and Form

An information perspective on music copyright

Bibliographic Data

ID20510071
AuthorsFriedemann Kawohl, Martin Kretschmer (0000-0002-4088-6569, University of Glasgow)
Year2009
Volume12
Issue2
Pages205-228
Publication date2009-03-01
Open AccessNo
TypeARTICLE
VenueInformation Communication & Society (JOURNAL)
Journal identifiersISSN: 1369-118X • E-ISSN: 1468-4462
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/13691180802459955
OpenAlexW2034071801
LanguageEN
Citations received3
References cited6

In the digital environment, copyright law has become trapped in an assessment of what has been taken, rather than what has been done with copied materials and elements. This expands the scope of copyright into areas where it should not find infringement (such as sampling, mash-ups and other transformative uses) while encouraging activities that are problematic (such as hiding sources). This article argues that the trap was laid by the German idealist philosopher Johann Gottlieb Fichte whose influential 1793 article Proof of the Unlawfulness of Reprinting for the first time distinguishes Inhalt (i.e. content free to all) and Form (i.e. the author?s inalienable expression) as copyright categories. It is shown that Fichte?s structure conflates norms of communication and norms of transaction. An alternative path for copyright law in an information society is sketched from a separation of these norms: copying should be assessed from (i) the attribution of sources, and (ii) the degree to which original and derivative materials compete with each other. Throughout the article, transformative practices in music set the scene

Copying · Database transaction · Epistemology · German · Law and economics · Linguistics · Political science · Secrecy · Sociology · Transformative learning · Computer Science · Copyright and Intellectual Property · Digital Humanities and Scholarship · Digital Rights Management and Security · Law · Mathematics · Philosophy

  • Autoria, personalidade e propriedade

    Open Access•Marco Antonio Souza Alves•Revista Direito Estado e Sociedade•2021

  • Extending the Term

    Paul Harkins•Popular Music & Society•2012

  • Copyright

    Open Access•Lee Edwards•Consumption Markets & Culture•2019

  • Beitrag zur Berichtigung der Urteile des Publikums über die französische Revolution

    Johann Gottlieb Fichte, Bernard Willms•Schriften Zur Revolution•1967

  • The Genius and the Copyright

    Martha Woodmansee•Eighteenth-Century Studies•1984

  • Digital Sampling and Cultural Inequality

    Open Access•D Hesmondhalgh•Social & Legal Studies•2006

  • Introduction

    Open Access•Arthur Barron•Social & Legal Studies•2006

  • Copyright Law's Musical Work

    Open Access•Arthur Barron•Social & Legal Studies•2006

  • Ethnomusicology and Music Law

    Anthony Seeger•Ethnomusicology•1992

Citations per year0.21
Citation span2012 - 2021 (10)
Highly citedNo

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