Off the Streets and into the Fortress
Experiments in Hip Separatism at Toronto's Rochdale College, 1968–1975
Bibliographic Data
| ID | 20606703 |
|---|---|
| Authors | Stuart Henderson (0000-0002-8634-7130, corresponding author) |
| Year | 2011 |
| Volume | 92 |
| Issue | 1 |
| Pages | 107-133 |
| Publication date | 2011-03-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Canadian Historical Review (JOURNAL) |
| Journal identifiers | ISSN: 0008-3755 • E-ISSN: 1710-1093 |
| Publisher | University of Toronto Press Inc. (UTPress) (PUBLISHER) |
| DOI | 10.3138/chr.92.1.107 |
| OpenAlex | W4246638882 |
| Language | EN |
| Citations received | 2 |
Toronto's Rochdale College (1968–1975) represented something much more than simply a new venue for countercultural experimentation and identity in the centre of English Canada's biggest city. It served as a bridge between the hip emphasis on public performativity that characterized the Yorkville scene of the mid-1960s and the more private hip separatism of the early 1970s. The symbolic association between Rochdale and impenetrability was central to both Rochdalians' self-identification and its perception by outsiders; there also were connections between Rochdale and the broader trend toward hip separatism in the years after 1968
Aesthetics · Archaeology · Art · Bridge (graph theory) · Identity (music) · Media studies · Political science · Sociology · Architecture · Canadian Identity and History · Gender Studies · History · Music History and Culture
| Citations per year | 0.4 |
|---|---|
| Citation span | 2021 - 2022 (2) |
| Highly cited | No |