Unruly Daughters and Modernity
Irmgard Keun's Gilgi-eine von uns
Bibliographic Data
| ID | 20659173 |
|---|---|
| Authors | Barbara Kosta (corresponding author) |
| Year | 1995 |
| Volume | 68 |
| Issue | 3 |
| Pages | 271 |
| Publication date | 1995-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | The German Quarterly (JOURNAL) |
| Journal identifiers | ISSN: 0016-8831 • E-ISSN: 1756-1183 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/408243 |
| OpenAlex | W2324613592 |
| Language | EN |
| Citations received | 2 |
A photograph of an urban setting in the 1920s. In it, a woman is shown crossing a street and sprightly jumping over a large puddle onto a curb. She is wearing a sleeveless dress with a hemline above the knee, a purse tucked under her arm, and has short cropped hair under a stylish Glocken hat. Unlike the flaneur, who was known to amble through the metropolis, her stride exudes purpose and self-confidence. Thus begins the retrospective narrative of the modern woman in Neue
Aesthetics · Art · Epistemology · Modernity · Psychoanalysis · European history and politics · German History and Society · German Literature and Culture Studies · History · Philosophy · Psychology
| Citations per year | 0.4 |
|---|---|
| Citation span | 2021 - 2025 (5) |
| Highly cited | No |