"Manthia Diawara's Waves and the Problem of the "Authentic
Bibliographic Data
| ID | 2097987 |
|---|---|
| Authors | Kenneth W Harrow (0000-0002-5186-5130, corresponding author) |
| Year | 2015 |
| Volume | 58 |
| Issue | 3 |
| Pages | 13-30 |
| Publication date | 2015-12-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | African Studies Review (JOURNAL) |
| Journal identifiers | ISSN: 0002-0206 • E-ISSN: 1555-2462 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/asr.2015.74 |
| OpenAlex | W2195744214 |
| Language | EN |
| Citations received | 5 |
| References cited | 20 |
This article begins by tracking how the delineation of "New Cinema" in the recent work of Manthia Diawara differs significantly from the approaches that had been dominant when he published his initial study on African cinema in 1992. The changes lead us to position current filmmaking practices vis-à-vis Nollywood film, and to ask how the formation of the cinematic subject functions in contemporary "new waves" of cinema
Aesthetics · Art · Filmmaking · Media studies · Movie theater · Position (finance · Sociology · Subject (documents · Visual arts · African history and culture studies · Cinema and Media Studies · Computer Science · History · South Asian Cinema and Culture
Signal and Noise
The Invention of Africa
Postcolonial Artists and Global Aesthetics
Hybridity and the Aesthetics of Garbage
Trash
African Cinema
Towards a Critical Theory of Third World Films
New Nollywood”
Black African Cinema
African Video Movies and Global Desires
Third Cinema in the Third World
A Critique of Postcolonial Reason
The Psychic Life of Power
Degraded Images, Distorted Sounds
| Citations per year | 0.56 |
|---|---|
| Citation span | 2017 - 2019 (3) |
| Highly cited | No |