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Over-MakingNyanga

Mastering "Natural" Beauty and Disciplining Excessive Bodily Practices In Metropolitan Cameroon

Bibliographic Data

ID2098276
AuthorsJacqueline-Bethel Tchouta Mougoué (0000-0003-1552-466X, corresponding author)
Year2019
Volume62
Issue2
Pages175-198
Publication date2019-06-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueAfrican Studies Review (JOURNAL)
Journal identifiersISSN: 0002-0206 • E-ISSN: 1555-2462
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/asr.2018.110
OpenAlexW2947599981
LanguageEN
References cited30

This study examines how Anglophone urban elites in 1960s metropolitan Cameroon negotiated local and global ideas about culturally constructed forms of "natural" black beauty. Formally-educated Christian urbanites, such as freelance female journalists, who often worked as civil servants, sought to discipline women's bodily practices and emotional expressivity in order to regulate the boundaries of perceived feminine respectability and to define a woman's "natural" beauty, a descriptor with both internal and external implications. The language they used included both local terms such asnyanga, a Cameroonian Pidgin English word for varied ideas about beauty and stylishness, and standard English terms. This specific use of language illustrates the hybridity of understandings of natural beauty and bodily comportment, painting a distinct African imagery denoting the social progression of black Cameroonian elite subcultures

Aesthetics · Art · Beauty · Elite · Hybridity · Linguistics · Natural (archaeology · Pidgin · Political science · Sociology · African history and culture studies · African Sexualities and LGBTQ+ Issues · Anthropology · Gender Studies · History · Law · Race, History, and American Society

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Citation velocityhistorical
Highly citedNo

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