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The Fall of Virtuous Men

Mexican Film Noir, and the Crisis of Values in the Postrevolutionary State, 1950-1959

Bibliographic Data

ID2099111
AuthorsDaniel Chávez Landeros (0000-0003-0378-2573, University of New Hampshire, corresponding author)
Year2023
Volume58
Issue4
Pages797-816
Publication date2023-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueLatin American Research Review (JOURNAL)
Journal identifiersISSN: 0023-8791 • E-ISSN: 1542-4278
PublisherCambridge University Press (PUBLISHER • US)
DOI10.1017/lar.2023.11
OpenAlexW4323317331
LanguageEN
Citations received1
References cited12

International reconsideration of Mexican film noir is a recent phenomenon. For decades, Mexican film criticism tended to dismiss the importance of this tradition and even to deny its existence, often citing the presence of melodramatic elements in would-be noir films and the lack of a crime novel tradition for screen adaptations. By comparing two Mexican films to similar American productions and examining the local political and economic conditions of the former, this article argues that Mexican film noir had its own pessimistic viewpoints, which were borrowed from journalism and the illustrated press. These viewpoints were based on existing social ailments and delivered relevant criticism of the institutions, classism, and sexual norms of the postrevolutionary Mexican state of the 1940s and 1950s

Aesthetics · Art · Criticism · Epistemology · Journalism · Mexican State · Pessimism · Phenomenon · Political science · Politics · Sociology · State (computer science) · Theology · Viewpoints · Cinema and Media Studies · Cinema History and Criticism · Gender Studies · Law · Media, Journalism, and Communication History · Philosophy

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Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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