The anxiety of blowing
Experiences of breath and brass instruments in Benin
Bibliographic Data
| ID | 2103442 |
|---|---|
| Authors | Lyndsey Copeland (0000-0002-2384-1545, corresponding author) |
| Year | 2019 |
| Volume | 89 |
| Issue | 2 |
| Pages | 353-377 |
| Publication date | 2019-05-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Africa (JOURNAL) |
| Journal identifiers | ISSN: 0001-9720 • E-ISSN: 1750-0184 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0001972019000123 |
| OpenAlex | W2945569158 |
| Language | EN |
| References cited | 45 |
Within amateur musical circles in Benin, one is told that if a male blows too hard into a brass instrument his testicles might swell up, fall off, or even run away. Concerned parents warn their children against 'blowing' brass instruments, telling stories of inguinal hernias and infertility, and many maintain that male brass players must take preventative measures. Accompanying this unease about blowing out is a complementary concern with breathing in, and the possible inhalation of micro-organisms or poison through the mouth. Engaging with this anxiety of blowing, this article takes seriously my interlocutors' concern with the consequences of playing brass instruments on their bodies. My main argument is that understandings of the precarious nature of breath are at the core of musicians' experiences of anxiety. My exploration of the relation between breath, anxiety and the body supports a common phenomenology of breathing across cultures, and serves to advance breath as an important site of meaning making
Aesthetics · Amateur · Anxiety · Art · Brass · Epistemology · Metallurgy · Phenomenology (philosophy · Political science · Psychiatry · Diverse Musicological Studies · Law · Music History and Culture · Philosophy · Psychology · Social Psychology
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| Citation velocity | historical |
|---|---|
| Highly cited | No |