A Tripod ‘Worth Seeing’ in the Olympieion at Athens (Paus. 1.18.8)
Dados Bibliográficos
| ID | 21037922 |
|---|---|
| Autores | Brian Martens (0000-0002-6697-7872, University of St Andrews, autor correspondente) |
| Ano | 2023 |
| Volume | 113 |
| Páginas | 137-169 |
| Data de publicação | 2023-11-01 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | The Journal of Roman Studies (JOURNAL) |
| Identificadores do periódico | ISSN: 0075-4358 • E-ISSN: 1753-528X |
| Editora | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0075435823000618 |
| OpenAlex | W4385635724 |
| Idioma | EN |
| Referências citadas | 66 |
This study proposes a new reconstruction of the tripod that Pausanias (1.18.8) recorded in the Olympieion at Athens. According to his brief description, the bronze tripod was supported by Persians made from Phrygian marble. A sculptor's sketch found during the excavations of the Athenian Agora is identified as a representation of that monument. The sketch, carved from poros limestone, depicts a standing male figure dressed in eastern attire supporting the foot of a tripod. The figural type finds its closest parallels among the colossal statues from the Forum of Trajan in Rome, suggesting a new date and context for the monument in the Olympieion. The scenario favoured here is that the tripod was dedicated following Trajan's victories in Parthia, perhaps completed or commissioned by Hadrian. Cassius Dio (68.17.2) records that Trajan departed for his Parthian campaigns from Athens, where memories of Persian defeat were actively curated
Ancient history · Arabic · Art · Art history · Bronze · Linguistics · Parallels · Sketch · Tripod (photography) · Ancient Mediterranean Archaeology and History · Byzantine Studies and History · Classical Antiquity Studies · Computer Science · Engineering · History · Philosophy
Dynastic commemoration and imperial portraiture in the Julio-Claudian period
The Serpent Column
Imperial Mines and Quarries in the Roman World
Images of the Persian Wars in Rome
Polis, Platz und Porträt
Context Matters
The Economics of the Roman Stone Trade
Rituals and power
Pictorial dictionary of ancient Athens
The Current Excavations in the Athenian Agora
Roman Athens
Souvenirs and the Experience of Empire in Ancient Rome
Imagining Xerxes
Attic Grave Reliefs That Represent Women in the Dress of Isis
Hadrian's lost Temple of Trajan
The Portraiture of Claudius
Cavum Antrum Phrygiae
The People to the goddess Livia’
Inscriptions de l'Agora romaine d'Athènes
Trajan's Parthian War and the Fourth-Century Perspective
Notes From Rome 2018–19
Four Roman portraits in the Piraeus Museum
The Piraeus From 86 Bc to Late Antiquity
The Athenian Agora
The Sculpture
Sculpture from Corinth
Simulacra Civitatum at Roman Corinth
Greek Inscriptions from the Athenian Agora
The Athenian Agora
Sculptors' Sketches, Trial Pieces, Figure Studies, and Models in Poros Limestone from the Athenian Agora
The Annex to the Stoa of Zeus in the Athenian Agora
The Sculpture Found in 1933
A Phrygian Sculptor at Work in Roman Athens
The Athenian Agora
The Inscriptions
Athens
The Athenian Agora
Faces of Power
The unit measurement of marble in Diocletian's Prices Edict
Hadrian's Column of Trajan
A Doorsill from the Library of Pantainos
Greek and Latin Inscriptions
Uncanonical Imperial Portraits in the Eastern Roman Provinces
Augustan and Julio-Claudian Athens
The Athenian Agora
The Odeion in the Athenian Agora
Hypereides
Pausanias’ Guide to Ancient Greece
Personal Styles in Greek Sculpture
Hadrian and the Cities of the Roman Empire
Neokoroi
Imperial Identities in the Roman World
From a Phrygian Quarry
Hadrian as the Son of Zeus Eleutherios
A New Trajan
The Parthians in Augustan Rome
Augustus and Alexander the Great at Athens
| Velocidade de citação | historical |
|---|---|
| Altamente citado | Não |