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The Fuming Image

Cartoons and Public Opinion in Late Republican China, 1945 to 1949

Bibliographic Data

ID2107964
AuthorsChang-Tai Hung (Carleton College, corresponding author)
Year1994
Volume36
Issue1
Pages122-145
Publication date1994-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueComparative Studies in Society and History (JOURNAL)
Journal identifiersISSN: 0010-4175 • E-ISSN: 1475-2999
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0010417500018910
OpenAlexW2130003726
LanguageEN
Citations received8
References cited26

When Cantonese cartoonist Liao Bingxiong (1915-) mounted his show,The Cat Kingdom (Maoguo chunqiu), at the Sino-Sovfet Cultural Association (Zhong-Su wenhua xiehui) in Chongqing-China's wartime capital-in March 1946, he was prompted by more than an artistic urge: He intended to issue a strong criticism of the Guomindang (Nationalist) government for its inability to deal with the country's rapidly deteriorating situation. The show was an overwhelming success, 'creating a sensation in this hilly city,' in the words of one contemporary artist. The show was greeted with equal enthusiasm when it was put on later in other cities, such as Chengdu and Kunming. Such a favorable reception reflected both the artistry of Liao's works and, more important, the relevance of cartoons as a powerful tool for airing opinion

Ancient history · Art · Art history · Capital (architecture) · Cartoonist · China · Criticism · Economic history · Enthusiasm · Government (linguistics) · Literature · Nationalism · Political science · Public opinion · Relevance (law) · Chinese history and philosophy · History · Japanese History and Culture · Law · Philosophy · Psychology · Vietnamese History and Culture Studies

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Unique citing works8
Citations per year0,42
Citation span2007 - 2021 (15)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 5

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