Dados Bibliográficos

AUTOR(ES) AMIRA MITTERMAIER
ANO 2012
TIPO Artigo
PERIÓDICO Comparative Studies in Society and History
ISSN 0010-4175
E-ISSN 1475-2999
EDITORA Elsevier (Netherlands)
DOI 10.1017/s0010417512000084
CITAÇÕES 7
ADICIONADO EM 2025-08-18
MD5 ed91dcfb4d56559970464d7d77ba5730

Resumo

In January 2011, people around the world turned their attention to Cairo's Tahrir Square. The news network al-Jazeera quickly became a window onto the square and surrounding streets, and news reporters became eyewitnesses to historical events. Aware of the media spectacle unfolding around them, Egyptian protesters over the following weeks held up signs in Arabic and English and, maybe unknowingly, staged highly photogenic scenes, for instance when Christians formed a human chain to guard Muslims during their prayers, and vice versa. During the first few days of the uprising, the regime shut down cell phone and Internet networks to prevent activists from communicating, but it could not stop their taking pictures and filming with cell phones and cameras. Every moment was carefully recorded, and today multiple initiatives are collecting films, photos, and audio recordings to preserve them in digital archives. In July 2011, activists set up an open-air cinema at Tahrir Square to screen and discuss footage of the protests. Subsequently video materials became crucial pieces of evidence in the courtroom where the former President Mubarak and ex-Interior Minister Adly were being tried. The Egyptian revolution was a highly visible and 'mediatized' event. Its history can and has been told in images.

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