Mabel Berezin, Making the Fascist Self
The Political Culture of Interwar Italy
Bibliographic Data
| ID | 2109503 |
|---|---|
| Authors | David Horn (0000-0002-5799-1605) |
| Year | 1999 |
| Volume | 41 |
| Issue | 3 |
| Pages | 599-601 |
| Publication date | 1999-07-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Comparative Studies in Society and History (JOURNAL) |
| Journal identifiers | ISSN: 0010-4175 • E-ISSN: 1475-2999 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s001041759923232x |
| OpenAlex | W2020076061 |
| Language | EN |
Berezin's study in historical sociology takes as its starting point an Italian present marked by a resurgence of fascism and by renewed contests for the symbolic space of the piazza. Confident that a new understanding of the “old” fascism can have contemporary social and political relevance, Berezin examines interwar efforts to construct “fascist identities” by fusing public and private selves. In a book that engages political philosophy and the anthropology of ritual, Berezin focuses our attention on public spectacle, “the favored expressive vehicle of the fascist identity project” (p. 5)
Aesthetics · Art · Construct (python library) · Identity (music) · Political science · Politics · Public space · Relevance (law) · Sociology · Space (punctuation) · Spectacle · Communism, Protests, Social Movements · Engineering · Historical Studies and Socio-cultural Analysis · Law · Philosophy · Vietnamese History and Culture Studies
| Highly cited | No |
|---|