Lip and jaw movements in the production of stops in Sindhi
Bibliographic Data
| ID | 2110009 |
|---|---|
| Authors | Paroo Nihalani (English and Foreign Languages University, corresponding author) |
| Year | 1973 |
| Volume | 3 |
| Issue | 2 |
| Pages | 75-80 |
| Publication date | 1973-12-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of the International Phonetic Association (JOURNAL) |
| Journal identifiers | ISSN: 0025-1003 • E-ISSN: 1475-3502 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0025100300000797 |
| OpenAlex | W1997203981 |
| Language | EN |
| Citations received | 3 |
| References cited | 1 |
From the time of the invention of alphabetic writing until the end of the nineteenth century, students of language unquestioningly accepted, the view that speech consisted of sequences of discrete sounds, strung together like the beads of a rosary. Speech has been traditionally looked at 'as consisting of segments, each one of which represents a phoneme, which are put together to build up speech.... Each segment is envisaged as a posture of the vocal organs, and these postures are joined together by means of glides, which take us from one to the next' (Abercrombie, 1965: 121
Aesthetics · Art · Linguistics · Movement (music · Production (economics · Speech production · Speech recognition · Communication · Computer Science · History · Multilingual Education and Policy · Philosophy · Psychology
| Citations per year | 0.07 |
|---|---|
| Citation span | 1981 - 2023 (43) |
| Highly cited | No |