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“But the pay was horrible

” Advancing equity in the museum and the fight for a living wage

Bibliographic Data

ID21108335
AuthorsAmanda Tobin Ripley (0009-0004-7213-0178, DB Engineering & Consulting (Germany), corresponding author)
Year2026
Publication date2026-06-23
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCritical Sociology (JOURNAL)
Journal identifiersISSN: 0896-9205 • E-ISSN: 1569-1632
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/08969205261460294
OpenAlexW7165647475
LanguageEN
References cited32

This paper analyzes how contemporary art museum workers in the U.S. are advancing intersectional social justice through their labor organizing and demands for a living wage. The mixed-methods study uses social reproduction theory to situate museum work as exploited labor and to examine how this contemporary unionization wave is fighting for a reconfigured museum field that is simultaneously pro-worker, anti-racist, and feminist. The analysis focuses on considerations of pay equity, as a site of convergence for the movement’s transformational aims and material achievements

Equity (law) · Field (mathematics) · Living wage · Pay Equity · Racism · Reproduction · Social justice · Social reproduction · Wage · Cultural Industries and Urban Development · Historical and Cultural Archaeology Studies · Museums and Cultural Heritage

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Citation velocityhistorical
Highly citedNo

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