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From the “Legal Culture of Slavery” to Black Legal Culture

Reimagining the Implications and Meanings of Black Litigiousness in Slavery and Freedom

Datos Bibliográficos

ID21108572
AutoresMyisha S Eatmon (African Union, autor de correspondencia)
Año2023
Volumen48
Número4
Páginas1428-1447
Fecha de publicación2023-11-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaLaw & Social Inquiry (JOURNAL)
Identificadores de la revistaISSN: 0897-6546 • E-ISSN: 1747-4469
EditorialCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/lsi.2023.42
OpenAlexW4385218518
IdiomaEN
Referencias citadas27

This review essay considers Alejandro de la Fuente and Ariela J. Gross’s Becoming Free, Becoming Black (2020); Laura F. Edwards’s The People and Their Peace (2009); Ariela J. Gross’s Double Character ([2000] 2006); Martha S. Jones’s Birthright Citizens (2018); Kelly M. Kennington’s In the Shadow of Dred Scott (2017); and Kimberly M. Welch’s Black Litigants in the Antebellum South (2018), arguing that one important implication of these works is that the roots of post-Reconstruction Black legal culture can be found during the antebellum period. The essay synthesizes the insights of these works regarding legal culture, legal consciousness, vernacular legal education, and legal networking. It concludes that, for students of Black legal culture and litigation for and by Black people beyond Reconstruction (that is, Jim Crow), examining the historiography of antebellum litigation for and by Black people is an important starting point in advanced discussions about Black legal culture

Art · Black culture · Black female · Historiography · Legal consciousness · Legal culture · Legal history · Literature · Political science · Psychoanalysis · Sociology · Vernacular · Gender Studies · Law · Law in Society and Culture · Race, History, and American Society

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Velocidad de citaciónhistorical
Altamente citadoNo
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