Certain Reasons for Believing that the Art of Music in Prehistoric Times Passed Through Three Distinct Stages of Development, Each Characterized by the Invention of a New Form of Instrument, and that These Stages Invariably Succeeded One Another in the Same Order in Various Parts of the World
Bibliographic Data
| ID | 21113922 |
|---|---|
| Authors | Judith Rowbotham (0000-0003-0630-7882, corresponding author), J F Rowbotham |
| Year | 1881 |
| Volume | 10 |
| Pages | 380 |
| Publication date | 1881-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | The Journal of the Anthropological Institute of Great Britain and Ireland (JOURNAL) |
| Journal identifiers | ISSN: 0959-5295 • E-ISSN: 2397-2564 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/2841540 |
| OpenAlex | W2802480210 |
| Language | EN |
J. F. Rowbotham, Certain Reasons for Believing that the Art of Music in Prehistoric Times Passed Through Three Distinct Stages of Development, Each Characterized by the Invention of a New Form of Instrument, and that These Stages Invariably Succeeded One Another in the Same Order in Various Parts of the World., The Journal of the Anthropological Institute of Great Britain and Ireland, Vol. 10 (1881), pp. 380-389
Aesthetics · Archaeology · Art · Prehistory · Visual arts · Diverse Musicological Studies · History · Psychology
| Highly cited | No |
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