Pandemic narra(c)tions. Collective audiovisual configurations and participatory self-care
Bibliographic Data
| ID | 21135787 |
|---|---|
| Authors | Anna Chiara Sabatino (0000-0002-6341-7079, University of Salerno, corresponding author) |
| Year | 2024 |
| Volume | 31 |
| Issue | 3 |
| Pages | 389-404 |
| Publication date | 2024-08-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | European Journal of Women s Studies (JOURNAL) |
| Journal identifiers | ISSN: 1350-5068 • E-ISSN: 1461-7420 |
| Publisher | SAGE Publications (PUBLISHER • US) |
| DOI | 10.1177/13505068241262899 |
| OpenAlex | W4401052671 |
| Language | EN |
| References cited | 67 |
During the first lockdown to limit the spread of Covid-19, a new medial scenario has taken shape in all its rich complexity. The proliferation of tentacular info and iconodemic events has presented, in fact, the manifestation and the progression of a double media movement: on the one hand, the amateur involvement in multiple narrative processes, increasingly involving participatory audience and prosumers; on the other hand, the amateurization of cinematic rhetoric and languages, which are reconfigured in a logic of everyday narrativization. Accordingly, based on rule-making creativity, grassroots performances have set a dialogue with canonical and institutional authorship in the wake of the audiovisual narrativization of the Self in everyday life. Within this framework, certain narrative acts occurring during the pandemic have the power to intervene transformatively in the everyday life they record and tell through performative and amateur participation. In this perspective, the article intends to explore two fronts: the process and the contextualization of amateur performances, based on creative prosumers’ participation, within a collective yet cinematic project; second, the impact and the role of audiovisuals as reparative media leading to beneficial self-telling practices. For such purpose, through the illustration of emblematic collective projects, the essay questions the potentially transformative and beneficial nature of self-representational and audiovisual performances that characterize pandemic and postpandemic mediascape
Aesthetics · Amateur · Art · Citizen journalism · Dialogical self · Everyday life · Grassroots · Linguistics · Literature · Media studies · Narrative · Performative utterance · Political science · Politics · Rhetoric · Sociology · Temporalities · Transformative learning · Visual arts · Law · Media Influence and Health · Participatory Visual Research Methods · Psychology · Social Psychology · Visual Culture and Art Theory
From Modernism to Postmodernism
Exploring the Selfie
New Documentary
The Transformative Power of Performance
Introduction to Documentary, Third Edition
Situating Everyday Life
Participation is Magic
An intersectional feminist food studies praxis
Feminist geographies and participatory action research
Online lockdown diaries as endurance art
‘Take back the tube!’
Production of the 'Self' in the Digital Age
Transformative Aesthetics
Contemporary Canadian Women's Fiction
Smartphone Filmmaking
Doing Visual Ethnography
Principles for Participatory Action Research
Visual Methods in Social Research
Essai sur le don
Self-efficacy
Social representations, identity threat, and coping amid Covid-19
Participatory Video
What is worthwhile auto-ethnography? Research in the age of the selfie
Researching marginalised young people
Participatory visual methods
Making art and making sense
Visual methods in researching the arts and inclusion
Spaces of care and resistance in China
Resistance, reclamation and repair
Defining authorship in user-generated content
Visual ethnography and refugee women
The semiotics of the anti-Covid-19 mask
The Janice Monk Lecture in Feminist Geography
Creative' visual methods in media research
Participatory video as a feminist practice of looking
The Routledge Handbook of Remix Studies and Digital Humanities
Social Media
Media Worlds
Indigenous Media From U-Matic to Youtube
Visual ethnography and racial theory
Critical Writing for Embodied Approaches
| Citation velocity | historical |
|---|---|
| Highly cited | No |