From Representation to the Biopolitical
Bibliographic Data
| ID | 21155722 |
|---|---|
| Authors | Amy Charlesworth (0000-0001-7805-4074, The Open University, corresponding author) |
| Year | 2017 |
| Volume | 25 |
| Issue | 4 |
| Pages | 201-214 |
| Publication date | 2017-02-14 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Historical Materialism (JOURNAL) |
| Journal identifiers | ISSN: 1465-4466 • E-ISSN: 1569-206X |
| Publisher | Walter de Gruyter GmbH (PUBLISHER • DE) |
| DOI | 10.1163/1569206x-12341549 |
| OpenAlex | W2785825185 |
| Language | EN |
| References cited | 11 |
This review article considers the position of Angela Dimitrakaki’s 2013 book Gender, artWork and the global imperative: A materialist feminist critique within the field of Art History and feminist politics
Aesthetics · Art · Biopower · Epistemology · Feminism · Materialism · Political science · Politics · Social science · Sociology · Art, Politics, and Modernism · Gender Studies · Historical Gender and Feminism Studies · Law · Philosophy
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Materialist Feminism for the Twenty-first Century
Whose Brecht? Memories for the Eighties
They said we were trying to show reality - all I want to show is my video
Visual Pleasure and Narrative Cinema
House Work and Art Work
Politics in a glass case
| Highly cited | No |
|---|