Julia Margaret Cameron’s ‘fancy subjects’ – Photographic allegories of Victorian identity and empire , by Jeff Rosen
Bibliographic Data
| ID | 21158523 |
|---|---|
| Authors | Katherine Parhar (Film Independent, corresponding author) |
| Year | 2016 |
| Volume | 17 |
| Issue | 2 |
| Pages | 242-244 |
| Publication date | 2016-05-03 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Visual Culture in Britain (JOURNAL) |
| Journal identifiers | ISSN: 1471-4787 • E-ISSN: 1941-8361 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/14714787.2016.1186380 |
| OpenAlex | W2474418321 |
| Language | EN |
| References cited | 2 |
For Julia Margaret Cameron, who first took up photography in 1864 (aged 48), photographic allegories were a vital means by which to ‘electrify with delight’ and ‘startle the world’ into sharing her
Ancient history · Art · Art history · Empire · Performance art · Photography · Visual arts · History · Photography and Visual Culture
| Highly cited | No |
|---|