‘Maria Lassnig’ and ‘Francis Bacon’
Invisible Rooms at Tate Liverpool
Bibliographic Data
| ID | 21158682 |
|---|---|
| Authors | R Arya (0000-0002-9608-0118, University of Wolverhampton) |
| Year | 2017 |
| Volume | 18 |
| Issue | 1 |
| Pages | 115-117 |
| Publication date | 2017-01-02 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Visual Culture in Britain (JOURNAL) |
| Journal identifiers | ISSN: 1471-4787 • E-ISSN: 1941-8361 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/14714787.2017.1279402 |
| OpenAlex | W2602033048 |
| Language | EN |
Among the highlights of Tate Liverpool 2016’s calendar were the Francis Bacon and Maria Lassnig shows. They were designed to be contiguous. What struck me by walking from the Lassnig to the Bacon s
Art · Art history · Cartography · Geography · Visual arts · Museums and Cultural Heritage · Photography and Visual Culture
| Highly cited | No |
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