The Rise of the Modern Art Market in London, 1850–1939
Bibliographic Data
| ID | 21158795 |
|---|---|
| Authors | Malcolm Gee (Northumbria University, corresponding author) |
| Year | 2014 |
| Volume | 15 |
| Issue | 1 |
| Pages | 126-128 |
| Publication date | 2014-01-02 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Visual Culture in Britain (JOURNAL) |
| Journal identifiers | ISSN: 1471-4787 • E-ISSN: 1941-8361 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/14714787.2014.870714 |
| OpenAlex | W2031948934 |
| Language | EN |
| Citations received | 11 |
This collection of essays makes a significant contribution to scholarship in a field in which the editors and several of the contributors already play a leading role. The distinctive structures and
Art · Art history · Art market · Media studies · Political science · Scholarship · Sociology · Visual arts · Art History and Market Analysis · Historical Art and Culture Studies · History · Law
The Making of Modern Art through Commercial Art Galleries in 1930s London
Portraiture and Patronage
The General Exhibition of Pictures of 1851
‘A slave kept in Leyland’s back parlour’
Mercado de arte e divisão social do trabalho no século 19
Exhibitions and the Market for Modern British Art
Collaborating profitably? The fundraising practices of the contemporary art society, 1919–1939
The professionalisation of the art trade in early nineteenth century London
Art dealers’ inventory strategy
A ‘veritable fairyland’
Esthetic Vision and Social Hierarchy in Museum Patronage
| Unique citing works | 11 |
|---|---|
| Citations per year | 1 |
| Citation span | 2015 - 2025 (11) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 2 |