Konflik Semiotik dan Simbolik dalam Hubungan Ibu dan Anak Perempuan dalam Filem Seram Kontemporari Melayu
Kajian Kes Filem Senjakala (The Conflicts Between the Semiotic and the Symbolic in the Mother-Daughter Relationship in Malay Contemporary Horror Films: A Case Study film Senjakala)
Bibliographic Data
| ID | 21185010 |
|---|---|
| Authors | Azlina Asaari (National University of Malaysia), Jamaluddin Aziz (0000-0002-9077-5656, National University of Malaysia) |
| Year | 2017 |
| Volume | 17 |
| Issue | 4 |
| Pages | 274-292 |
| Publication date | 2017-11-29 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | GEMA Online Journal of Language Studies (JOURNAL) |
| Journal identifiers | ISSN: 1675-8021 • E-ISSN: 2550-2131 |
| Publisher | Penerbit Universiti Kebangsaan Malaysia (UKM Press) (PUBLISHER) |
| DOI | 10.17576/gema-2017-1704-18 |
| OpenAlex | W2770597869 |
| Language | EN |
| References cited | 8 |
Filem seram kontemporari Melayu secara tidak langsung sering memaparkan konflik di antara hubungan ibu dan anak perempuan sebagai (representasi) konflik semiotik dan simbolik. Konflik ini sering terjadi dalam hubungan ibu dan anak perempuan dalam naratif filem seram. Pelbagai kajian telah dibuat berkenaan watak wanita dalam filem seram di Malaysia, namun masih kurang yang menekankan kepada konflik alam semiotik dan simbolik dalam hubungan ibu dan anak perempuan. Justeru, artikel ini akan meneliti konflik semiotik dan simbolik dalam hubungan ibu dan anak perempuan dalam filem seram kontemporari Melayu, Senjakala (2011) arahan Ahmad Idham. Dengan menggunakan teori feminis psikoanalisis terutamanya konsep Abjection yang diketengahkan oleh Julia Kristeva (1982), kaedah analisis tekstual diguna pakai untuk merungkai konflik alam semiotik dan simbolik dalam hubungan ibu dan anak perempuan. Analisis mendapati filem ini cuba membawa lari tanggapan tradisional ideologi patriarki bahawa semua perkara di dalam dunia ini adalah stabil dan boleh diuruskan. Maka dengan adanya konflik semiotik dan simbolik dalam hubungan ibu dan anak perempuan ini, ia memberi ruang kepada wanita untuk berkuasa dan mengganggu-gugat ideologi dominan ini. Konflik semiotik dan simbolik ini membuktikan bahawa ideologi dominan patriarki tidak sestabil seperti yang dikatakan. Kata kunci: semiotik; simbolik; hubungan ibu dan anak perempuan; psikoanalisis; abjection ABSTRACT Contemporary Malay horror films indirectly illustrate the conflict between mothers and daughters as a representation of the conflict between the semiotic and symbolic. This conflict often occurs in the relationship between mother and daughter in a horror movie narrative. Various studies have been done on women characters in horror films in Malaysia. However, a few emphasize the conflict of these linguistic realms in mother-daughter relationships. Thus, this article will examine the conflicts between the semiotic and symbolic in a mother and daughter relationship within contemporary Malay horror films using Senjakala (2011) directed by Ahmad Idham as a case study. Adopting the Feminist Psychoanalysis Theory, especially the concept of Abjection highlighted by Julia Kristeva (1982), textual analysis method is used to unravel the conflicts between the semiotic and symbolic in mother-daughter relationship. The analysis found that the film was trying to escape from the traditional notion of patriarchal ideology that everything in the world is stable and manageable. The conflict in the realms of semiotic and symbolic is able to empower the women characters and challenge patriarchal ideology. The conflicts of the semiotic and symbolic in this film prove that patriarchal ideology is not as stable as it seemed. Keywoods: semiotic; symbolic; mother-daughter relationship; psychoanalysis; abjection
Art · Humanities · Sociology · Theology · Asian Studies and History · Linguistic, Cultural, and Literary Studies · Literary Theory and Cultural Hermeneutics · Philosophy · Psychology
| Citation velocity | historical |
|---|---|
| Highly cited | No |