A “Distant Music”
Invoking Phantasmagoria in Joyce’s “The Dead”
Bibliographic Data
| ID | 21187024 |
|---|---|
| Authors | Julio Ángel Olivares Merino (0000-0002-7850-2938, Universidad de Jaén, corresponding author) |
| Year | 2016 |
| Issue | 11 |
| Pages | 132-148 |
| Publication date | 2016-03-15 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Estudios Irlandeses (JOURNAL) |
| Journal identifiers | ISSN: 1699-311X • E-ISSN: 1699-311X |
| Publisher | Estudios Irlandeses (PUBLISHER) |
| DOI | 10.24162/ei2016-5990 |
| OpenAlex | W4229670924 |
| Language | EN |
| References cited | 5 |
1. Summoning Deadness and its Spectrality: The Story’s Foundations Epitomizing notions of paralysis, exile or return to the origin, James Joyce’s “The Dead” frames an unstable rendition of identities which transcends any categorization based on discriminative traits or fixed archetypes. The narrative resorts to an ambivalent and dynamic method or taxonomy both concealing the immediate and
Aesthetics · Art · Art history · Confusion · Literature · Motif (music) · Narrative · Psychoanalysis · Modernist Literature and Criticism · Philosophy · Psychology · Samuel Beckett and Modernism · Shakespeare, Adaptation, and Literary Criticism
| Highly cited | No |
|---|