The Revolutionary Chora in Seamus Heaney’s Kite Poetry
Bibliographic Data
| ID | 21187091 |
|---|---|
| Authors | Hannah Spruce (0000-0002-2855-174X, corresponding author) |
| Year | 2016 |
| Issue | 11 |
| Pages | 213-219 |
| Publication date | 2016-03-15 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Estudios Irlandeses (JOURNAL) |
| Journal identifiers | ISSN: 1699-311X • E-ISSN: 1699-311X |
| Publisher | Estudios Irlandeses (PUBLISHER) |
| DOI | 10.24162/ei2016-6241 |
| OpenAlex | W4236671402 |
| Language | EN |
In Seamus Heaney’s final collection Human Chain, and most explicitly in the last poem of this collection “A Kite for Aibhín”, Heaney reveals a corrective move into an inclusive maternal space. His poetry attempts to rectify the socially constructed model of paternal behaviour received through his father and through his culture. He does this through
Aesthetics · Art · Geometry · Kite · Literature · Poetry · Political science · Politics · Psychoanalysis · Sociology · The Symbolic · Historical Studies of British Isles · Irish and British Studies · Joseph Conrad and Literature · Law · Mathematics · Psychology
| Citation velocity | historical |
|---|---|
| Highly cited | No |