Women on the Move
Mobility in Evelyn Conlon’s Fiction
Bibliographic Data
| ID | 21187135 |
|---|---|
| Authors | María Teresa Caneda Cabrera (0000-0001-5194-1060, Universidade de Vigo, corresponding author) |
| Year | 2017 |
| Issue | 12 |
| Pages | 26-38 |
| Publication date | 2017-03-15 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Estudios Irlandeses (JOURNAL) |
| Journal identifiers | ISSN: 1699-311X • E-ISSN: 1699-311X |
| Publisher | Estudios Irlandeses (PUBLISHER) |
| DOI | 10.24162/ei2017-6777 |
| OpenAlex | W2607370476 |
| Language | EN |
| References cited | 6 |
In his introduction to Cultural Mobility: A Manifesto, Stephen Greenblatt contends that certain cultures engage routinely in celebratory performances of their authenticity and cultural legitimacy through rituals and discourses which are often identified with the notion of “at-homeness” (2010: 3) and presented as “the necessary condition for a robust cultural identity” (3). Although Greenblatt does
Aesthetics · Art · Dislocation · Literature · Narrative · Political science · Sociology · Diaspora, migration, transnational identity · Irish and British Studies · Law · Travel Writing and Literature
| Highly cited | No |
|---|