Irish Film and Television -2012
Bibliographic Data
| ID | 21187228 |
|---|---|
| Authors | Roddy Flynn (Dublin City University), Terry Tracy (0000-0003-2003-9749, Ollscoil na Gaillimhe – University of Galway), Tony Tracy, NUI Galway Huston School |
| Year | 2013 |
| Issue | 8 |
| Pages | 195-231 |
| Publication date | 2013-03-15 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Estudios Irlandeses (JOURNAL) |
| Journal identifiers | ISSN: 1699-311X • E-ISSN: 1699-311X |
| Publisher | Estudios Irlandeses (PUBLISHER) |
| DOI | 10.24162/ei2012-1393 |
| OpenAlex | W2605925418 |
| Language | EN |
| References cited | 3 |
Introduction At the Galway Film Fleadh 2012, young Irish film-maker Mark O’Connor released a ‘manifesto’ entitled: ‘Irish Cinema: A Call to Arms.’ While the idea of a manifesto seems almost quaint, a hangover from cinema history of the celluloid era, O’Connor’s short document offers an interesting perspective from which to consider developments in the Irish Film
Art · Art history · Irish · Linguistics · Manifesto · Media studies · Movie theater · Perspective (graphical) · Political science · Sociology · Visual arts · Cinema and Media Studies · History · Irish and British Studies · Law · Night-time city culture · Philosophy
| Highly cited | No |
|---|