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The Noir Landscape of Dublin in Benjamin Black’s Quirke Series

Bibliographic Data

ID21187258
AuthorsAuxiliadora Pérez-Vides (0000-0003-1786-9768)
Year2020
Pages90-101
Publication date2020-10-31
Open AccessYes
TypeARTICLE
VenueEstudios Irlandeses (JOURNAL)
Journal identifiersISSN: 1699-311X • E-ISSN: 1699-311X
PublisherEstudios Irlandeses (PUBLISHER)
DOI10.24162/ei2020-9702
OpenAlexW3095641828
LanguageEN
References cited2

This article offers an examination of Benjamin Black’s Quirke series through an ecocritical lens. Set against the backdrop of 1950s Dublin, the texts feature a pathologist who investigates the murder of the victims that end at the morgue of the Holy Family Hospital. I contend that by exhaustively mapping the city through its crimes, the author hints at the far-reaching web of criminal actions executed and sanctioned by different agents of authority and violence. Similarly, I also claim that the author consistently draws on the notions of coexistence and interdependence to construct the personality of the protagonist, as the narrator insists on this growing indignation and cynicism towards the connected artefacts of dominance that inhabit the city. Consequently, the novels suggest that relationality and interdependence should involve untangling that net of power and control so as to negotiate social responsibility and create a climate of greater justice and solidarity

Criminology · Cynicism · Imprisonment · Indignation · Negotiation · Political science · Politics · Social science · Sociology · Solidarity · Geographies of human-animal interactions · Law · Wildlife Conservation and Criminology Analyses

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Highly citedNo

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