Competing Concepts of Culture
Irish Art at the 1924 Paris Olympic Games
Datos Bibliográficos
| ID | 21187293 |
|---|---|
| Autores | Claire A Culleton (Kent State University, autor de correspondencia) |
| Año | 2014 |
| Número | 9 |
| Páginas | 24-34 |
| Fecha de publicación | 2014-03-15 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Estudios Irlandeses (JOURNAL) |
| Identificadores de la revista | ISSN: 1699-311X • E-ISSN: 1699-311X |
| Editorial | Estudios Irlandeses (PUBLISHER) |
| DOI | 10.24162/ei2014-4445 |
| OpenAlex | W622384927 |
| Idioma | EN |
| Referencias citadas | 4 |
During the early years of the modern Olympic Games, art competitions formed part of the official Olympic program. Olympic scholars refer to these as the “forgotten” art competitions because so few people know they even existed; yet from 1912 to 1948, some eighteen hundred artists from fifty-one countries competed for Olympic gold, silver, and bronze
Archaeology · Art · Art history · Irish · Metropolitan area · Painting · Visual arts · Cinema and Media Studies · Cultural Industries and Urban Development · History · Sport and Mega-Event Impacts
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |