Ideophones in Vladimir Mayakovsky’s work
Bibliographic Data
| ID | 21200883 |
|---|---|
| Authors | Katherine Lahti (Trinity College, corresponding author) |
| Year | 2014 |
| Volume | 5 |
| Issue | 3 |
| Pages | 419-430 |
| Publication date | 2014-11-20 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Pragmatics and Society (JOURNAL) |
| Journal identifiers | ISSN: 1878-9714 • E-ISSN: 1878-9722 |
| Publisher | John Benjamins Publishing Company (PUBLISHER • NL) |
| DOI | 10.1075/ps.5.3.06lah |
| OpenAlex | W2012465723 |
| Language | EN |
| Citations received | 2 |
| References cited | 7 |
The Russian poet Vladimir Mayakovsky used ideophones to create meaning. In fact Mayakovsky constantly used ideophones in his poetic expression, part and parcel of the emphasis on sound in his poetry. In the 1910s he worked alongside the Moscow Linguistic Circle. To the end of his life in 1930 (due to suicide) the poet remained close friends with the important linguist Roman Jakobson. There is no doubt that his association with linguists led to Mayakovsky’s paying more attention to verbal form in his work; in particular, his use of ideophones is remarkable
Art · Epistemology · Linguistics · Literature · Poetry · Computer Science · Discourse Analysis and Cultural Communication · Language, Communication, and Linguistic Studies · Linguistic research and analysis · Philosophy
| Unique citing works | 2 |
|---|---|
| Citations per year | 0.17 |
| Citation span | 2014 - 2017 (4) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |