The Dialectic of Destruction and Creation in the German Tradition
A Jungian Perspective on Goethe, Nietzsche, Rilke, and George
Bibliographic Data
| ID | 21204351 |
|---|---|
| Authors | Paul Bishop (0000-0003-3307-5159, University of Glasgow, corresponding author) |
| Year | 2011 |
| Volume | 5 |
| Issue | 4 |
| Pages | 60-82 |
| Publication date | 2011-10-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Jung Journal (JOURNAL) |
| Journal identifiers | ISSN: 1934-2039 • E-ISSN: 1934-2047 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1525/jung.2011.5.4.60 |
| OpenAlex | W1995744991 |
| Language | EN |
| References cited | 7 |
Taking Jung’s interest in Goethe as its starting-point, this paper examines the theory of creativity presented and embodied in Goethe's Faust, before turning to Nietzsche's often misunderstood reflections on the creative function of war. Using the dialectical relation of creation and destruction as its interpretative matrix, it offers a reading of two, often overlooked, poems by writers central to the German lyric tradition in the twentieth century, Rainer Maria Rilke and Stefan George. Arguing that Rilke's “Five Hymns” and George's “The War” are texts that deserve, despite (or because of) their difficulty, closer analysis, this paper suggests that the uncomfortable message of these two works makes sense from a Jungian perspective on the world
Aesthetics · Art · Art history · Close reading · Dialectic · Embodied cognition · Epistemology · FAUST · German · German Literature · Linguistics · Literature · Poetry · Psychoanalysis · Visual arts · German Literature and Culture Studies · Jungian Analytical Psychology · Nietzsche, Schopenhauer, and Hegel · Philosophy · Psychology
| Highly cited | No |
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