Research, Art, or Politics
Which is it to Be
Bibliographic Data
| ID | 21205713 |
|---|---|
| Authors | M Hammersley (0000-0001-6842-6276, corresponding author) |
| Year | 2010 |
| Volume | 3 |
| Issue | 1 |
| Pages | 5-9 |
| Publication date | 2010-05-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | International Review of Qualitative Research (JOURNAL) |
| Journal identifiers | ISSN: 1940-8447 • E-ISSN: 1940-8455 |
| Publisher | SAGE Publications (PUBLISHER • US) |
| DOI | 10.1525/irqr.2010.3.1.5 |
| OpenAlex | W2594232189 |
| Language | EN |
| Citations received | 9 |
| References cited | 9 |
In a recently published “one-act play,” Norman Denzin alleges that I and others have misinterpreted the kind of qualitative inquiry he promotes and are insufficiently open-minded. In response, I argue that he positions his critics via a modernist notion of resisting progress that is rhetorically illegitimate, and obscures and misrepresents their arguments, partly through use of the play format. I insist that research is a distinct form of activity, different in character from both art and politics, and that pursuing one under the auspices of another is unethical
Aesthetics · Environmental ethics · Epistemology · Political science · Politics · Sociology · Empathy and Medical Education · Law · Participatory Visual Research Methods · Philosophy · Qualitative Research Methods and Ethics
Performing Research or Researching Performance
Am I now, or have I ever been, a Symbolic Interactionist? Autobiographical Reflections
Multicultural experience in organisations
Martyn Hammersley
Martyn Hammersley
The fieldworker not in the head's office
Constructing Hopes and Fears Around Technology
Resisting the Ban
Organisational autoethnography
| Citations per year | 0.64 |
|---|---|
| Citation span | 2012 - 2024 (13) |
| Highly cited | No |