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Memory, Mourning, and Miracles

A Triple-Autoethnographic Performance Script

Bibliographic Data

ID21205881
AuthorsB K Alexander (0000-0001-7382-6696), Claudio Moreira (0000-0003-3048-5726), Hari Stephen Kumar
Year2015
Volume8
Issue2
Pages229-255
Publication date2015-08-01
Open AccessYes
TypeARTICLE
VenueInternational Review of Qualitative Research (JOURNAL)
Journal identifiersISSN: 1940-8447 • E-ISSN: 1940-8455
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1525/irqr.2015.8.2.229
OpenAlexW2343218920
LanguageEN
Citations received8
References cited6

This triple autoethnography evidences a process of associative memory, akin to spinstorying or generative autoethnography, that allows the triggering of memory to evolve into a collective sharing of experiences. Each turn in the associated exchanges deepens the authors’ argument about the nature of memory as both singular and shared. This performance script is drawn from a longer performative essay that began with a triggering idea, an entry made by the first contributor sent to the next, without comment or discussion. The second contributor then narrated a triggered memory and then forwarded the document to the third contributor, who, upon reading the contributions of the first and second, offered his responsive and critical memory

Aesthetics · Art · Autobiographical memory · Autoethnography · Cognitive psychology · Cognitive science · Collective memory · Generative grammar · Linguistics · Performative utterance · Recall · Social memory · Sociology · Artistic and Creative Research · Participatory Visual Research Methods · Philosophy · Psychology · Qualitative Research Methods and Ethics

  • Confabulating Research

    Open Access•Sandro R Barros, Reyila Hadeer et al.•International Review of…•2022

  • “I'm Sorry My Hair is Blocking Your Smile”

    Open Access•B K Alexander, Ayshia Elizabeth Stephenson-Celadilla et al.•International Review of…•2019

  • A Nomenclature for Critical Autoethnography in the Arena of Disciplinary Atomization

    Open Access•William M Sughrua•Culture Studies ↔ Critical…•2019

  • Breath, Breathe, Breathing

    Open Access•B K Alexander, Timothy Huffman et al.•Culture Studies ↔ Critical…•2018

  • An Invitation to Rhetoric

    Open Access•B K Alexander, Michele Hammers•Culture Studies ↔ Critical…•2019

  • The Core of Critical Performative Autoethnography

    Open Access•William M Sughrua•Qualitative Inquiry•2020

  • Finding Our Fathers

    Open Access•David F Purnell, David Purnell et al.•Qualitative Inquiry•2019

  • Critical Memories

    Open Access•Durryle Brooks•Qualitative Inquiry•2016

  • Utopia in Performance

    Jill Dolan•Utopia in performance•2005

  • Borderlands/La Frontera

    Gloria Anzaldúa•Censored•2017

  • We Real Cool

    Bell Hooks•We real cool•2004

  • Performing Remains

    Rodrigo Schneider, Rebecca Schneider•Performing Remains•2011

  • The Archive and the Repertoire

    Open Access•Diana Taylor•Archive and the Repertoire•2003

  • Mother is Not Brown

    Open Access•Claudio Moreira•Qualitative Inquiry•2013

Citations per year0.8
Citation span2016 - 2022 (7)
Highly citedNo
Open DOI
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