‘Hebrew Tarzans’ from Arthur Koestler's Thieves in the Night to Netflix and Fauda
Bibliographic Data
| ID | 21214901 |
|---|---|
| Authors | Jeremy Salt (0000-0003-0404-6535, The University of Melbourne, corresponding author) |
| Year | 2021 |
| Volume | 20 |
| Issue | 1 |
| Pages | 45-61 |
| Publication date | 2021-05-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Holy Land and Palestine Studies (JOURNAL) |
| Journal identifiers | ISSN: 2054-1988 • E-ISSN: 2054-1996 |
| Publisher | Edinburgh University Press (PUBLISHER • GB) |
| DOI | 10.3366/hlps.2021.0257 |
| OpenAlex | W3161770014 |
| Language | EN |
| Citations received | 1 |
| References cited | 4 |
Core elements of Zionist propaganda justifying the colonisation of Palestine are exploited again in the four books critiqued in this article ( Thieves in the Night; Promise and Fulfilment. Palestine 1917–1949; Exodus; and The Haj). For propaganda to be viable, however, it has to be adapted to changing circumstances. Recent Israeli television dramas such as Fauda (Chaos) have realigned images without letting go of the central elements in the propaganda war. In Fauda, Israeli killings in the occupied territories are virtually advertised, as if the state wants viewers to see what it is capable of doing in the name of combatting ‘terrorism’
Ancient history · Hebrew · Media studies · Palestine · Political science · Sociology · Terrorism · Classics · History · Jewish and Middle Eastern Studies · Law · Middle East and Rwanda Conflicts · Middle East Politics and Society
| Citations per year | 0.5 |
|---|---|
| Citation span | 2024 - 2024 (1) |
| Highly cited | No |